Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Canaletto
Santi Giovanni e Paolo and the Scuola di San Marco fdg

ID: 05576

Canaletto Santi Giovanni e Paolo and the Scuola di San Marco fdg
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Canaletto Santi Giovanni e Paolo and the Scuola di San Marco fdg


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Canaletto

Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.  Related Paintings of Canaletto :. | Entrance to the Grand Canal from the Piazzetta | L'abbazia di Westminster con la processione dei cavalieri dell'Ordine del Bagno (mk21) | Old Walton Bridge ff | London, Seen from an Arch of Westminster Bridge | Return of the Bucentoro to the Molo on Ascension Day |
Related Artists:
George Flegel
Olmutz 1563-1638
Morgenstern, Christian
German, 1805-1867 German painter. After training from 1824 with Siegfried Bendixen (1786-1864) in Hamburg, he studied at the Kunstakademi in Copenhagen in 1827 and made sketching trips to Sweden and Norway. He then settled permanently in Munich. He was influenced in particular by 17th-century Dutch painters, notably Jacob van Ruisdael, the Copenhagen plein-air painters, the emerging Norwegian landscape school and the early Realist painters working in Munich, such as Johann Georg von Dillis. Morgenstern explored objective, pure landscape painting with intimate motifs in such works as Beech-tree Trunks in Fredericksdal near Copenhagen (1828; Hamburg, Ksthalle). He also painted scenes combining closely rendered foreground details with extensive,
Henrietta Ronner-Knip
fr.1821-1909






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